You should see some familiar painting tools to the right. Is this a workspace? A window? No, it’s the Canvas, a flat, 2D digital backdrop to your scene. A white space sits on a very faint grid at the bottom of your screen. It’s not immediately obvious what you’re looking at the first time you open Paint 3D.
IDG / Mark Hachmanīoth videos at the bottom of the Paint 3D welcome screen are worth watching, but the challenge at the top could be better implemented. Click the big New button and let’s dive in. No worries-we’ve devised a better grand tour ourselves. 11.Microsoft’s current version of Paint 3D ditches the somewhat confusing introduction it had before and tosses you right into the deep end. This way, my computer-aided elements don't jar stylistically with those I've rendered independently. To this end, I ink everything by hand on Bristol Board. Equally, those elements that aren't drafted from scratch must at least have the appearance of a drawing. Since I'm using realistic models, I need to strive for verisimilitude in the drawing. Given that the end result will always involve some level of drawing, it's important for me to be able to keep all the elements looking like they belong together. Many's the time I've lovingly crafted a panel composition, only to find that it doesn't quite fit with the others. This is one of the biggest pitfalls of working in 3D, so I try to stay as mindful of it as possible. It's often helpful to start with a strong, thumbnail sketch of the full page so that the principles of composition and leading-the-eye can be observed, even when dealing with one panel alone. The fact that I'm composing my panels independently of one another can, if I'm not careful, have a detrimental effect on my overall page. Try to sketch out your pages before lavishing attention on each panel
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